![]() ![]() Undeterred by others' attempts to discourage or obstruct In general, however, it seems to be an ode to perseverance in the face of adversity.įeeling anxious and uncertain about the current situationįeeling out of control and unable to change the situationĭetermined to persevere despite the challengesīelieving in one's ability to overcome obstaclesīeing resilient and capable of enduring difficulties In conclusion, Alice In Wonderland by the Bill Evans Trio is an incredibly cinematic song that allows listeners to form their interpretations of what the lyrics might mean. The repetition of the phrases "I, I'll get by, I, I'll survive" reflects the singer's internal mantra, a way of reassuring themselves that everything will be okay. They might feel like they're losing grip, but they know they have the mental fortitude to pull themselves back up. However, the songs firmly assertive lines, "I, I'll get by, I, I'll survive," suggest that the singer is not entirely helpless. The phrase "Alice in Wonderland" itself carries specific connotations related to disorientation and surrealism, and the song leans into that atmosphere. They feel like they're tumbling through unfamiliar territory, and they can't get their bearings. The opening lines, "Trippin out, Spinning around, I'm underground, I fell down," paint a vivid picture of the singer's disorientation and confusion. The song seems like a deep dive into the singer's internal thoughts and their feeling of being lost in a strange place that seems both stimulating and unsettling. ![]() The above lyrics belong to the Bill Evans Trio's song Alice In Wonderland. After that, the personnel of the trio (other than Evans) changed every few years.īassists included Scott LaFaro(1959-1961), Chuck Israels (1962-1965), Gary Peacock(1963), Teddy Kotick (1966), Eddie Gomez(1966-1977), and Marc Johnson(1978-1980). After LaFaro's untimely death, Evans went into seclusion for nearly a year, then re-formed the trio. The latter two albums are live recordings drawn from the same recording date, and they are routinely named among the greatest jazz recordings of all time. This trio recorded four albums: Portrait in Jazz (1959), Explorations, Sunday at the Village Vanguard, and Waltz for Debby (all recorded in 1961). Evans' focus in this trio was jazz standards and original compositions, with an emphasis on interplay among the band members that often bordered on collective improvisation and blurred the line between soloist and accompanist. New books being added regularly.One of the most famous and influential jazz pianists of the 20th century, B… Read Full Bio ↴ One of the most famous and influential jazz pianists of the 20th century, Bill Evans formed the acclaimed piano trio in 1959, along with bassist Scott LaFaro and drummer Paul Motian.Responsive book design, so things look great on mobile too.Quick search, note taking and bookmarking for easy reference.Fast loading desktop and mobile experience.Upon purchase, you will be provided with an accessĬode and a link to Hal Leonard's MyLibrary site, where you can view your digitalīook along with supplemental audio or video where applicable. Hal Leonard Digital Books are cloud-based publications, which are streamingĪnd require internet access. How Deep Is the Ocean (How High Is the Sky).Note-for-note piano, bass and drum transcriptions of eight great tunes performed by the formidable trio of Bill Evans, Scott LaFaro and Paul Motian.
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